Description
Tate Gallery [Published date: 1983]. Soft cover, 448 pp. Reprinted, with amendments: 1983. In good+ condition. Glossy illustrated paper covers have light bumping and creasing to edges and corner with a tiny bit of peeling to the corner tips. Light overall scuffing, aging and soiling to covers as well. Spine creased but binding is still tight. Pages lightly aged but otherwise clean and unmarked. NOT Ex-library. NO remainder marks. [From back cover] 'The Essential Cubism' brings together the most important group of strictly Cubist paintings, sculptures, drawings and prints ever to have been assembled since the Kahnweiler Sales in the early 1920s. Concentrating on the four painters and two sculptors who created and enriched the new pictorial language of Cubism - Braque, Picasso, Gris, Leger, Laurens and Lipchitz - the exhibition and this book seek to define Cubism's true nature, chart its development, and demonstrate its remarkable range of expressiveness and invention. Nearly 250 works are fully documented in the catalogue, with large reproductions (92 in colour), discursive commentaries, and detailed notes on the provenance of each object. The mass of newly available information provided in these notes, amplified by a fascinating essay on ‘The Early Purchasers of Cubist Art’, brings to light for the first time the story of the collecting and patronage of Cubism. The exhibition was organised and the catalogue written by Douglas Cooper, a noted authority and author of many monographs on the Cubist painters, and the American art historian, Gary Tinterow.
